SIPPY drops an immensely personal project with her debut album, Scars In Stereo, out via Zeds Dead’s Deadbeats label. The long awaited 10-track LP shares an introspective shift the energizing “Gremlim” persona that comes alive in her live sets to a more vulnerable musical journey.
From the introductory track “Scars In Stereo,” SIPPY outlines a story of pain, resilience, and triumph navigating the music industry. The story continues with “Wide Awake,” featuring No Me, captures the unease of emotional restlessness with its melancholic atmosphere of swaying low-frequencies. “Can’t Over You” explores heartbreak, while “Like I’m High” reflects on the disorienting highs and lows of self-discovery.
Sippy shares:
Scars In Stereo is a reflection of my journey through the music industry: the highs, the hardships, and everything in between. It captures the wins, but also the depression, disassociation, and misconduct I’ve faced along the way. More than anything, this album is about resilience. It’s about standing up, pushing through, and owning my story. I wanted it to feel like a peek into my personal journal. These songs, in their original form, were written in real time (when the feelings were raw) then set aside until I was ready to be vulnerable enough to share. Now, I am.”
Next up, “FUKT UP” embodies the frustration and defiance of reclaiming one’s power with its subtle yet magnetic bass lines and rebellious outcry. “Can We Just Pretend” softens the atmosphere while SIPPY shares a moment of grappling with escapism and emotional fatigue. Through “Home,” she shares her need for connection and familiarity. Next, “Ashes,” featuring Marlhy, exemplifies the raw, reflective energy of this new sound, while “Killa,” featuring Bianca, stands as an unapologetic anthem driven by the kind of self-talk she had to master to get here. Lastly, “Next Up,” featuring Artifice, offers a triumphant closure that transforms hardship into strength.
With its emotional depth and SIPPY’s flawless production, Scars In Stereo marks a defining moment in her career. The project is one that will certainly resonate with many sharing experiences.
Find Sippy on Tour Near You
- 10/12 – Sippy @ Seven Stars Festival, Arrington, VA *w/ GRiZ
- 10/31 – Sippy @ Wintrust Arena, Chicago, IL *w/ GRiZ
- 11/01 – Sippy @ Hulaween, Live Oak, FL
- 11/08 – Sippy @ Sounders, Dallas, TX
- 11/14 – Sippy @ Union Hall, Edmonton, AB *w/ ADVENTURE CLUB
- 11/15 – Sippy @ The Palace Theater, Calgary, AB *w/ ADVENTURE CLUB
- 11/21 – Sippy @ Otherworld, Columbus, OH *w/ Wreckno
- 11/22 – Sippy @ Old Rock House, St. Louis, MO *w/ Wreckno
- 11/28 – Sippy @ Apocalypse, Long Beach, CA
- 12/05 – Sippy @ Granada, Lawrence, KS *w/ Wreckno
- 12/06 – Sippy @ Waiting Room, Omaha, NE *w/ Wreckno
More about SIPPY
SIPPY is a Sydney-born bass music powerhouse whose name has become synonymous with fearless sound design, unapologetic intensity, and stage-commanding energy. A standout of the global bass scene, SIPPY made her name dominating the Australian festival circuit before making waves in the U.S. bass scene. She’s since gone from support slots for Zeds Dead, Excision, and Dirt Monkey to sold-out headline shows, most recently completing her ‘Gremlin Mode’ Tour and taking stages at Red Rocks, Tomorrowland, Lost Lands, Bass Canyon, and ÎLESONIQ.
Now, SIPPY is entering the next phase of her artistic evolution with her debut album, Scars in Stereo, out October 17th via Deadbeats. The record showcases a more personal and vulnerable side of her artistry while elevating her technical production skills and emotional range. Lead singles “Ashes” (August 15) and “Killa” (September 12) have already begun to shift expectations, pairing haunting vocals, raw storytelling, and bold bass design in a way only SIPPY can.
A proven favorite on labels like Deadbeats, Bassrush, and UKF, and with official remixes for The Chainsmokers, Zeds Dead, and Marshmello under her belt, SIPPY continues to push boundaries. Scars in Stereo arrives October 17, 2025, alongside a national tour and high-profile festival appearances – marking a bold new chapter for one of bass music’s most compelling voices.